Showing posts with label summing mixer. Show all posts
Showing posts with label summing mixer. Show all posts

Saturday, October 16, 2010

SUMMING MIXERS ROUND DEUX



Last year we tested a few summing mixers to see if the buzz about analogue magic was true. While we did notice some small amount of magic, we weren't blown away. We did, however, decide to keep an eye on this type of gear since more and more companies are entering the market.

Now, we're test driving 2 boxes that have had a lot of great stuff written about them. They are the Neve 8816 and the Tonelux summing mixer which is more of a made to order thing. These products are not new to the market, but over time they have developed a good rep with none of the usual web-gear-flaming we're used to seeing with most anything. Thanks to our way cool peeps at Vintage King, we're able to twist knobs on these boxes for the next two weeks. As usual, we'll report to you after lots of pizza and many sleepless nights.

Friday, May 7, 2010

SUMMING MIXERS


Awhile back, we tested 3 summing mixers. We don't want to get into brand names because we don't want to do a shootout. We just want to get some info out there because summing mixers are growing in sales while being the topic of much debate.

First the concept behind the gear. Summing mixers are supposed to help your daw audio sound more like it has gone through an analog console. Your audio is sent through analog circuitry to add warmth but, it's also bypassing your digital summing pipe so you can get better stereo imaging. Some boxes do only that while others claim to add some color to your sound, maybe a little beef on the bottom etc.

Second, our test. It's not so simple to do an accurate test to see exactly what the mixer does compared to your in-the-box mix. The web is loaded with controversy about it and it can be confusing. We talked to reps from the companies to make sure we were using the boxes properly. We chose one inexpensive brand, one middle priced and one high end. All units performed 8 channel summing.

Third, the result. We noticed a difference in sound with all 3 units, however, all of us here at the bag didn't always agree that the difference was an improvement. Overall, the difference was small and sometimes hard to detect. With a little more investigation we found that summing really becomes more significant at 16 channels and beyond. Imagine a 48 channel console. The cumulative effect of all those channels is really where the magic is. For project studios with less than 16 channels of output to be summed, you may find results that leave you wanting more for the money you spent.

More companies are coming out with summing mixers since they've been a hot item and maybe the technology will improve for 8 channel capacity so, this could be an interesting category to watch.