Monday, April 12, 2010

MUSIC FOR TAX DAY


Here are some songs about money that might help get the ball rolling on some Tax Day themed production.

The Beatles “Tax Man”
The Beatles “Can’t Buy Me Love”
Dire Straits “Money for Nothing”
Johnny Paycheck “Me and the I.R.S.”
The Kinks “Sunny Afternoon”
John Lee Hooker “I Need Money”
Barrett Strong “Money (That’s what I want”)
Flying Lizards “Money (That’s what I want”)
Pink Floyd “Money”
Monty Python “Money Song”
Michael Jackson “Money”
Ray Charles “Busted”
Robert Cray Band “1040 Blues”
Spinal Tap “Gimme Some Money”

Sunday, April 11, 2010

AVID BUYS EUPHONIX


Lotsa buzz about this over the weekend. Here's a link to an article on marketwire.com that gives more info.


marketwire.com -avid buys euphonix

Wednesday, April 7, 2010

SMOOTH JAZZICA


Nothing says true fame more than Metallica performing hard rock in a smooth jazz style without their fans stoning them to death. What's next, a tour with Kenny G?


http://www.buzzfeed.com/awesomer/smoothjazzica

TUNE UP


A quick reminder...whenever you read a Bagazine post reviewing a piece of hardware or software, you can be sure that we used it before we tapped out the article. With that, let's talk tuning.

In the music biz, being in tune is a way of life. This little stomp box gem, PolyTune™ from TC Electronic makes it effortless.

Yeah yeah..... this is a guitar product but rest assured you can use a tuner across the entire musical spectrum, but you know this already. What is so cool about this one is, (guitar players get ready to tingle), PolyTune™ is a polyphonic tuner. You can see six strings at once!! This bad boy is a great chromatic tuner, a "chromatic champion" according to TC. You can set reference pitch to your preference and ranges from 435Hz to 445Hz. There are Poly, Needle, and Stream Modes that measure your input signal along with a "true bypass" mode when switching the tuner on and off. It also has a bass guitar mode for you 4 and 5 stringers out there.

If you like gear as much as we do and need an excuse or are jonesing for a new addition to your arsenal you cannot go wrong with a PolyTune™. The build quality is exceptional too.

Check out more at TC Electronic.

Monday, March 29, 2010

APRIL FOOL MUSIC LIST


I pity the fool that doesn’t have music for April Fools Day production!

With that in mind, here are some suggestions to get you started.

A Tribe Called Quest “Description of a Fool”
The Beatles “Fool on the hill”
Cinderella “Nobody’s Fool”
Deep Purple “You Fool No One”
Def Leppard “Foolin’”
Delfonics “Trying to make a fool of me”
The Doobie Brothers “What a fool believes”
Elvis Presley “Fool”
Foghat “Fool for the City”
Frank Sinatra “A day in the life of a fool”
Ludacris “Act a Fool”
Styx “Fooling Yourself”
Ween “You were the fool”
The Who “Won’t get fooled again”
World Party “Ship of Fools”

Friday, March 26, 2010

GOT A MATCH?


You are jamming to get your session finished and you are missing a certain "sound" to your project. You admit you are not an EQ guru and really don't have time to pull out your scalpel to do sonic surgery. You need a fix and you need it fast. Well, your EARS are the best tools to use of course, but in a jam, might we suggest an assist from a spectral analyzing or EQ matching plug-in.

If you don't know the ins and outs of equalization, you need to know some basics. What can we hear? Our ears only hear sounds in the range 20 Hertz to 20,000 KiloHertz (20 kHz), you may have seen or heard tech jabber like 20 to 20 or a 2 db (decibel) boost at 3500k etc. This all relates to the frequency range we hear and how we design, mix and edit our audio. In radio land we focus on 50Hz to 15kHz since broadcasters basically chop off the bottom and top of the spectral range when sending out the radio transmission. Only your dog will really miss the stuff above 15k anyway. With this very basic understanding you need to know that spectral analyzing or EQ matching is how certain software plug-ins can copy or mimic a preexisting EQ curve. The EQ curve is made up of points across the frequency range, 20Hz to 20kHz, that we can hear as it makes up a distinct sound or sonic effect. An example would be the sound coming from a small radio or earbuds. You recognize a nasal or thin sound that accompanies the small speaker output. Say the sound is more complicated or you need to match prerecorded tracks, spaces, sounds, and voice treatments etc. You should try the spectral / matching EQ solution for fast results. These can really save you time when trying to "dial in" the right EQ curves. You feed the plug-in the source that you would like to match and the software will generate a spectral/EQ analysis and apply that to your sound. Now you have a similar EQ curve at your disposal. Go ahead and apply the result to your sound or use it as a starting point to help you tailor your desired tone. Again, your ears and practicing with equalization are the sure fire way to achieve what you want. The matching EQ plug-ins are, however, very effective and can be a real time saver!

There are a few solutions out there. Some plug-ins are part of your DAW, like Match EQ in Apple's Logic Studio. Try the demos from iZotope: Ozone 4, Roger Nichols Digital: Frequal-izer, and Voxengo: CurveEQ.

These tools will really help you out of a jam. Remember, practice makes perfect.... always try your ears!

LINKS

http://www.apple.com/logicstudio

http://www.izotope.com/products/audio/ozone

http://www.rndigital.com/frequal-izer.html

http://www.voxengo.com/product/curveeq

Monday, March 22, 2010

KILLER BEATS


Ever wonder if that last drum or music loop you used in your last piece of production was legal? If you are throwing Acid loops into your projects and calling them your own, chances you are violating some copyright law or breeching a licensing contract/agreement of some kind. Don’t worry, we’re not here to rat you out, but we are going to do our best to keep you out of trouble and save you some time and your company some money. Using a little instrument in Ableton Live called Impulse may be the creative, simple and legal solution to beat processing you never knew you had.
Last April in this blog http://brownbagazine.blogspot.com/search?updated-max=2009-05-08T11%3A44%3A00-07%3A00&max-results=7) we showed you how to get your free copy of Ableton Live Lite. Now it’s time to get your money’s worth. With each free copy of Live comes the previously mentioned instrument, Impulse. It’s essentially a drum trigger that you populate with sounds/audio of your choosing. The Impulse module can be found in the browser window on the left side of the Ableton interface under “Live Devices”. Click on Impulse and right away you’ll see 8 empty boxes or slots surrounded by various parameters such as Decay, Volume, etc. All you do is drag a sample or audio file into any of the 8 empty boxes, adjust some volumes as needed and you’re pretty much ready to go. Record your midi info with a midi instrument or draw it yourself with the cursor. When you have your drum “kit” set up the way you like it, simply rename it and drag the module back into the browser under Impulse and all of your settings and sounds are saved for next time. If your company’s purse strings are so tight that they can’t even squeeze a Trigger Finger or a Korg Nano into the budget, don’t fret. Ableton Live lets you map almost anything that triggers midi, including the computer keyboard that’s under your fingers. Loops, software synths and midi triggers cost money. Everything mentioned in this article is free. Hashing out beats with Impulse is almost as fast as dropping an acid loop into your session once you have it set up. So we’d say your just about out of excuses.

Thursday, March 18, 2010

SOCIAL NETWORK DISEASE


Social networking is a blast. For better or worse, millions are hooked on it and it ain't goin' away. With a radio production schedule, however, you may have to rethink how big a part it plays in your day. You may see it as a harmless interruption since it only takes a minute to update your FB status or peck out 140 characters of pure brilliance. Even if that's true, the real cost may be in the mental fissure it creates in your creative energy or concentration. When you're in the zone (or trying to be), intrusions can drain your momentum.

Remember The Shining? Jack was looking forward to isolation so he could focus on writing his book. Ok, not a great example because of the subsequent killing spree. You get the idea though right? Creativity and productivity require the right environment. You've probably heard stories of production directors locking the studio door sometimes to prevent productus interruptus. Great idea if you can get away with it. What good is that though if you allow yourself mucho barge-ins from tweets, IMs, texts, status updates, pokes and vampire bites?

Bottom line - productive people control interruptions. Social networking should be your slave, not the other way around.

Wednesday, March 17, 2010

IT'S SCIENCE


We spent St. Patrick's day doing some research on all things Irish. Most of our findings were predictable save one. After putting a four leaf clover under a microscope we found nothing unusual but, the three leaf version is another story. Fascinating captain.

Monday, March 15, 2010

VO RECORDING REFRESHER


The human voice is highly dynamic and care must be taken to make it intelligible over loud background sources. Assuming your station has made the mic choice and pre amp choice for you here’s some tips to help improve the quality of your VO recording without going to the PD for more cash.
If you don’t already have a pop filter you can always fashion one from a nylon stocking (preferably a new one) and a metal coat hanger. Another method in a pinch is to tape a pencil (or two) right over the center of the mic to disperse air around the capsule.
Try and deaden the sound around the mic. Move the mic into a corner of the room that has been deadened with packing blankets. You can also isolate the mic from the rest of the room by using a mic boom stand with blankets hanging over them to reduce reflections from bouncing back into the mic
Don’t over compress during recording, you can always add more during mixdown to get the VO above your mix. Make use of a 60hz high pass filter to remove rumble and reduce any pops that might sneak through. If you need to warm up the sound try adding a bump in the 200-500hz range and to increase intelligibility perhaps a little boost in the 7k area.
It’s always a safe bet to get a good full sound recorded, that way you can take the sound in any direction you want at mixdown. Above all make sure your message is being heard. It may be obvious to you because you know the script. Remember it’s going to go by the listener really fast, when balancing do so at a low level and make sure you can make out the dialog.

Monday, March 8, 2010

WHAT'S THE BPM KENNETH?


Here at The Bag, we always list the tempo of our beds and loops so you can easily toss them into Acid or whatever and get funky. But if you want to use a piece of popular music and edit accurately you’ll need to figure out the tempo on your own.

In Pro Tools, although the same method applies to all, you can usually start by editing a 2 bar phrase from the song. Then zoom in on the first downbeat and trim it up nice and tight. Next, cut just before the beginning of the 3rd measure. Place the start of the edited region on a downbeat in grid mode and then adjust the projects tempo so that the end of the edited region lines up with the bar markers. This usually means moving your edited section every time you make a change in tempo so that the beginning lines up on a downbeat, but if you keep it in Grid mode it will snap to it. Once you’ve found the tempo simply stretch the front and back of the region to include the whole song and edit away!

This is the ghetto method for those who don't have beat detective or something like it.

Monday, March 1, 2010

NEW VO FEATURE ON RIPPED


Users already know that Ripped offers free custom voice over. Now, we're taking it a step further. We're creating some imaging pieces that feature a vo track you can use as is. Literally just add your calls and you're done.

The tracks will be easy to find because they'll contain a green text box (pictured right). This new feature is just getting started so you'll see just a few cuts pop up this month. More coming. Every track that contains free and clear vo will be marked so, a quick glance is all you need. Fast, easy and free. Get Ripped!

Wednesday, February 24, 2010

WHO KILLED RICK ROLLING?


Youtube killed it. They removed the Rick rolling video from their site for legal reasons. Even more shocking to us was that the video has accumulated 30 million views.

No doubt Rick rolling will continue living on the web illegally somewhere else but, we may be looking at the end of an era.

R.I.P.
Rick Rolling
2007-2010

Tuesday, February 23, 2010

WHERE'S THE BEEF UPDATE


Decapitator from SoundToys

In our series of "Where's The Beef" we are happy to pass along this little gem.
Decapitator is a great analog saturation modeling plug-in that definitely adds "The Beef" and other "Special Mojo" to your sounds. Right now SoundToys has a public beta of the plug, that means free.... for now. Get ready to break your piggy bank, we guarantee you will hock something for this puppy.

Decapitator will deliver the subtle warmth to blistering mayhem. Basically the analog gooeyness that you have been looking for in a software.
Best of all, it is as simple as turning a knob. Get ready to say ahhhhh!!!

LINK:

http://www.soundtoys.com/products/Decapitator

Thursday, February 18, 2010

BETTER CREATIVITY: WAIT FOR IT


Filling a blank page with great stuff is never easy. It's even harder when you're imaging 3 stations, doing an air shift and trying to run a freelance business on the side. With all of the physical and mental crunch that goes along with that, one thing remains constant. Great creativity rarely happens quickly. You have to give it time. You have to have a clear head and allow your brain to do what it does when it's free of clutter.

Think about the spontaneous creativity that comes from children seemingly without effort. Their brains are clean. Their minds can wander without worrying about deadlines, rules, paying bills, getting to the dry cleaner before they close etc. They are loaded with imagination because the human brain naturally gets funky when you unshackle it.

If you want to get better results in your production, you need to start with your writing, or more specifically, your ideas. Better ideas on paper equal better production pieces.

So, how can you get better ideas? One truth seems to bubble out among a lot of creative types. You have to take the time to craft better concepts. In radio, you often don't have much time to stare into the computer waiting for inspiration but, sometimes that what it takes. Many songwriters want to avoid cliche's just like you want to avoid writing another commercial that says "friendly service and convenient location". They accomplish that by isolating themselves from distractions to endure silent spaces and blank pages. It can be rough but many different types of creative people will tell you that's what it takes.

We get that this isn't realistic for the average imaging/production director. That being the case, we suggest picking a special project now and then to try this. Give yourself time to brainstorm, write, rewrite and punch up your ideas. Make something a little more epic and you'll get a rush from doing it. Also, it will beef up your demo. Cliche production done fast food style will leave you empty when it's time to round up your best stuff to shop around.

Monday, February 15, 2010

THE MODERN CAVE WALL


Since the dawn of time, mankind has been recording ideas. It started with paintings on cave walls and has continually grown in importance for about the last million years. If your reading this blog, you're probably connected to the creative biz so, you know the value of hanging on to ideas. You also know that they notoriously come at odd times and can be quickly forgotten. Luckily, modern tech has offered up many new versions of the cave wall so your random thoughts in the dentist's waiting room are never lost to the sounds of screams (from patient to insurance company) and the allure of out of date magazines.

One such device is likely mixing it up with your pocket lint right now. Aside from being a mighty communicator filled with cool apps, music and other goodies your phone may have a built in voice recorder. Most of us are so caught up with the apps that steer model helicopters that we often forget about the built in stuff. When it comes to creating and remembering your cool ideas, the voice recorder can be your best app. It’s always with you, in the car, on the street or at your nightstand – ready to record and playback in an instant.
If you’ve got a standard, run-of-the-mill cell phone and it’s not from the 90’s your voice recorder will probably be found in Tools on your Main Menu. Recording will be pretty self explanatory and indicated by a small microphone icon at the top of the screen. If you’ve got an iPhone, there’s an app call Voice Memos http://www.apple.com/iphone/iphone-3gs/voice-memos.html that let’s you record yourself in mono (or stereo with a mic sold separately).

Saturday, February 13, 2010

GAMERS: GET READY TO ROCK AND LAUGH


Some of you will relate to this in a very personal way. Put down the bottle of sleeping pills and learn to laugh about it.

http://g4tv.com/attackoftheshow/comedy/64042/Red-Ring-of-Death.html

Monday, February 8, 2010

HD PROMO VID


This link takes you hdradio.com to peep a vid. Just sharing this in case you're too busy to hunt for promotional videos about hd radio.

http://www.hdradio.com/radioSizzles.html

Friday, February 5, 2010

DANNY BOY ON THE BAG

For St. Patty's day we wanted to do something we haven't done before. We decided to track a traditional version of Danny B0y and get a singer to belt out some lyrics. Seems like a good thing for anyone to have on hand as the greenest of holidays approaches. The singer who did us a solid is Chrissy Lomax.

Chrissy is a Singer/Songwriter originally from Toronto Canada, currently living in LA. Chrissy has performed solo and with her band across Canada and all around Los Angeles. She has two Independently released CDs out on her own label Spare Room Records, and is currently recording her third. Check out her website at http://chrissylomax.com/

WILD HAIRY CREATIVITY


We heard from a person or two that had trouble playing the Chewbacca piece from Ripped we posted awhile ago. Here's a link so you can catch it on youtube. http://www.youtube.com/watch?v=Y2t9Hyge8-Q&feature=channel